Leo de Maria, Spain

Born in Granada in 1995, Carlos de la Blanca Elorza began piano studies at the age of 7 with Andrey Reznik. He later studied at the Conservatorio de Música Ángel Barrios with Javier Herreros, completing intermediate studies with top marks. In 2013, he entered the Royal Conservatory of Madrid (RCSMM), studying under Pilar Bilbao, where he graduated with honors in piano and received the Final Degree Award. He has also participated in master classes with renowned pianists including Dmitri Bashkirov, Joaquín Achúcarro, and Nikolai Lugansky.

Mr. de la Blanca Elorza has been awarded in various national and international competitions, including Marisa Montiel, María Canals, Ciudad de San Sebastián, and Ciudad de Vigo. He recently won Third Prize and the Best Spanish Music Interpreter Award at the 2024 Ferrol International Piano Competition and the Best Spanish Contestant Award at the 2025 María Canals International Piano Competition in Barcelona.

He was one of twenty selected pianists for the Paloma O’Shea Santander International Piano Competition in 2022. He also participated in the Glocal Piano Project of the Ferruccio Busoni International Piano Competition in Bolzano (2022 and 2024) and performed in Paris as part of the Leeds International Piano Competition in 2024. Since 2022, he has received ongoing mentorship from the renowned pianist and pedagogue Márta Gulyás.

An active chamber musician, Mr. de la Blanca Elorza has performed as part of Dúo Doré (piano four-hands) with María Escudero since 2015. Since 2024, he has served as pianist for the Coro de Niños y Jóvenes de la Comunidad de Madrid.

In addition to his performing career, Mr. de la Blanca Elorza is a dedicated educator. He has held the position of civil servant music educator in the Community of Madrid since passing the public examination in 2018. His artistic interests also extend to philosophy, which he studies at UNED. His solo recitals often blend classical repertoire with improvisational elements.

He is currently pursuing a Master’s degree at the Hochschule für Musik und Theater Hamburg under the guidance of Prof. Ralf Nattkemper.

First Round

• Johann Sebastian Bach: Prelude and Fugue in G Major, No. 15, from The Well-Tempered Clavier, Book II, BWV 884
• Frédéric Chopin: Étude in G-flat Major, Op. 10, No. 5, “Black Key”
• Sergei Rachmaninoff: Prelude in G Major, Op. 32, No. 5
• Rachmaninoff: Étude-Tableau in D Major, Op. 39, No. 9
• Ludwig van Beethoven: Sonata in D Major, Op. 2, No. 3
 I. Allegro con brio
 II. Adagio
 III. Scherzo: Allegro
 IV. Allegro assai

Quarterfinal Round

• Wolfgang Amadeus Mozart: Sonata No. 4 in E-flat Major, K. 282
I. Adagio
II. Menuetto I
III. Menuetto II
IV. Allegro
• Enrique Granados: “El amor y la muerte” (from Goyescas, Op. 11)
• Franz Liszt: Sonata in b minor, S. 178
• Olga Kern: Status Animae (State of Soul)—Two Pieces for Solo Piano
 I. Meditation
 II. Rhythm Obsession
• Maurice Ravel: La Valse, M. 72La Valse, M. 72

Semifinal Round – Chamber Music

• Johannes Brahms: Piano Quintet in f minor, Op. 34
 I. Allegro non troppo
 II. Andante, un poco adagio
 III. Scherzo: Allegro
 IV. Finale: Poco sostenuto—Allegro non troppo—Presto, non troppo

Final Round

• Sergei Prokofiev: Piano Concerto No. 3 in C Major, Op. 26
 I. Andante—Allegro
 II. Tema con variazioni
 III. Allegro, ma non troppo

2025 Participants

Meet the People!

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